The Music Box Girl K A Stewart 9780692671573 Books
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FOR THE LOVE OF MUSIC Steam and steel are king, nowhere more so than Detroit, the gleaming gem of the world’s industrial crown. A beacon of innovation and culture, it is the birthplace of the mechanical automatons, and the home of the famed Detroit Opera House. It is where people come with their dreams, their plans, and their secrets. A young man with the voice of an angel and dreams of stardom. A globe-trotting heiress with a passion for adventure and memories of a lost childhood love. A mysterious woman with a soul made of pure music and a secret worth killing for. Beneath the glitter and sparkle, something sinister lurks at the opera, and three lives will collide with tragic consequences.
The Music Box Girl K A Stewart 9780692671573 Books
I'm always happy when a new book by K.A. Stewart arrives in the mail and The Music Box Girl is no exception.It's everything I hope for in steampunk: Gears, automatons, steam--and the clothes!
Oh, I'm supposed to talk about the plot. I'll stop fantasizing about all those things now.
Tenor Anton Krol comes to the Detroit Opera House and runs into the dual brick walls of a temperamental star and being an unknown from the country. Since he wants to eat, he takes a job with the stage crew. His "helpful" co-workers let him know the opera house is haunted. Anton's a hard worker and is soon one of the guys. Hey, it's a job.
With a very interesting perk: Private singing lessons from a mysterious tutor. His tutor ups his skills just in time for Anton to step in when the star tenor walks off in a huff.
Then Anton's childhood friend Bess arrives in Detroit. Bess is an adventurer, an explorer, and their friendship becomes much more. Anton's tutor is Not Pleased.
But as a reader, I was certainly pleased. Jealousy! Gunfire! Secret passages! Ghosts! Murder! Mad chases through dark streets! And a dirigible!
The Music Box Girl kept me entertained from the mysterious opening to the gripping climax. I spent a long, rainy Saturday immersed in Stewart's intricate steampunk world. Her characterizations are complex, her action scenes burst off the page, and her plotting is tight. I wanted to stay in MBG's steampunk Detroit and especially in the opera house. Not many authors create worlds that make me wish I could step into the pages and make a new life there.
Stewart has written another winner.
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Tags : The Music Box Girl [K A Stewart] on Amazon.com. *FREE* shipping on qualifying offers. FOR THE LOVE OF MUSIC Steam and steel are king, nowhere more so than Detroit, the gleaming gem of the world’s industrial crown. A beacon of innovation and culture,K A Stewart,The Music Box Girl,Pirate Ninja Press,0692671579,Fiction Science Fiction Steampunk
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The Music Box Girl K A Stewart 9780692671573 Books Reviews
I've always been a huge fan of K. A. Stewart's work. Her worlds are fun and inventive, her characters exciting, and the action often intense and encompassing. I didn't know THE MUSIC BOX GIRL was coming out until a few weeks before its release, and it definitely wasn't what I was expecting from Stewart. The world wasn't as inventive as compared to her ARCANE WEST series or SECOND OLYMPUS (still one of my favourite books in the world), but it was clear she did her research for the opera. The central characters are interesting and complex, though I have to admit that Bess is my favourite. I wanted to give this book five stars, but I couldn't help pity the antagonist more than I should have. That might have been the point, but I felt like there should have been more of a battle for her soul. Also, the big twist was pretty obvious, though the circumstances surrounding it were a little more surprising. I was also hoping for more action, but now I'm just being nit-picky. THE MUSIC BOX GIRL is still a short, romantic novel worth checking out.
Automatons everywhere!
K.A. Stewart's newest offering, The Music Box Girl, is a steampunk fan's dream. Full of unique tech, art, and a monster in an opera house, this is a new Phantom of the Opera for this generation.
This is a world where machines have memories, think for themselves, and even kill. Add in a male opera singer on his way to stardom and an adventurous explorer-woman and you are left with a story that is hard to put down, let alone forget.
It only took reading a few chapters for it to start dawning on me just what this book was. It’s a genderflipped steampunk Phantom of the Opera. With robots.
Really, that could be the 2-sentence tagline of The Music Box Girl. If you’re familiar with the Andrew Lloyd Weber musical, at least (I can’t say much about the original novel, as I haven’t read it), then just about nothing in this story will come as a surprise. There are a few pieces of curiosity here or there, such as wondering just what little differences there are between the book and Phantom, but beyond that, it’s all fairly set in stone from the moment you realise the story’s inspiration.
The Music Box Girl gives you three character perspectives from which to watch the story unfold. Anton, who starts off as an opera stagehand, quickly attracts the attention of a mysterious women — known to many as the opera ghost but who gets names Melody by Anton himself — who offers to train his singing voice, to get the skill that will allow him to replace the opera company’s ageing tenor. Bess, Anton’s childhood friend turned adventurous globetrotter who is at the centre of no few scandals, reunites with her friend and they kindle a romance that has lain banked since they separated so many years ago. But Melody takes exception to Bess’s arrival and Anton’s attraction to her, and jealously seeks to keep the two apart so that she and her plan for Anton can stay central in his focus.
Melody is, of course, not human, but in fact an automaton, gears and switches in a human shape, with all the strength that comes with being made of metal. In the steampunk Detroit that Stewart sets up, automatons are physically stronger than humans, which is why they were created in the first place, but require human assistance to stay active. They also possess what’s known as an aether core, which houses their memory, the sum of their experiences, but after a while, imperfect machinery being what it is, when an automaton has experienced enough to develop a personality of their own, those memories also begin to clog the core and become disconnected, erratic, and the automaton becomes dangerous. As such, aether cores are often wiped clean, preventing a personality from forming so that the automaton can stay an obedient servant to human needs without any pesky moral issues of slavery coming into play. Melody is unique, an automaton that has no need of humans to keep her running, but has thus developed that dangerous personality. She hears voices from those in her past who are no longer there, the memories accumulating in her aether core coming and going at random, and she strives to overcome that as she teaches Anton to hone his singing voice.
It was interesting to note the subtle ways in which Stewart referenced the original Phantom story, even when dealing with new elements. For instance, Melody’s face isn’t disfigured by scars or anything of the sort, as she’s made of metal, but instead one side of her face is warped and tarnished, a callback to the reason that, well, the mask is so iconic. Stewart provides a fresh SFF look at a story that has been ingrained in public consciousness for years, melding familiar content with new twists.
The Music Box Girl‘s main drawback, though, is that it doesn’t so much pay homage to its source material so much as it just rewrites it. It’s basically a retelling, albeit with a steampunk flair and some very good crisp writing. And as much as there’s nothing inherently wrong with retelling an old story, it does unfortunately come off as being derivative. It’s not a nod to a franchise that can be appreciated by fans in the know, but, as I said in the beginning, a genderflipped Phantom of the Opera, with robots. If that’s what you hear when going into this book, very little will surprise you. You’ll know how the story will play out, because you know the story of Phantom.
Do I think that means The Music Box Girl isn’t worth reading? Not by a long shot. Given the source material, I think this will appeal massively to fans of Phantom, and believe me, there are plenty. But even aside from that, there’s plenty to like here. Stewart’s writing style, as I said before, is crisp, with plenty of clarity and detail, and it flows smoothly. The characters all feel different when you’re reading about them, and more than that, they don’t feel like they’re just rehashes of someone else’s characters. It’s a fun journey, even if you know the destination. Seeing things from Melody’s perspective — the perspective of an automaton, gives opportunity for great lines like this
One voice, though, one voice stood out to her, and some apparent malfunction in her glass eyes tinted the world red.
The classic descent into obsessive madness, as told by a robot. It’s interesting, and I think I enjoyed reading Melody’s sections most of all, to see the perspective of someone who is both victim and villain.
So overall? Yes, definitely read The Music Box Girl. It may not be the most original, but it brings original twists to a familiar story, and it’s a smooth-flowing tale of ambition and sacrifice, which is exactly what I expected. It’s quick and engaging, the characters are interesting and very much themselves, and it’s quite enjoyable, at least from where I’m standing. I can see steampunk fans enjoying this dive into musical pop culture.
Love the phantom of the opera? Love role reversals? How about steam punk? This book has all that for you. Wonderful read by the talented K.A. Stewart.
I'm always happy when a new book by K.A. Stewart arrives in the mail and The Music Box Girl is no exception.
It's everything I hope for in steampunk Gears, automatons, steam--and the clothes!
Oh, I'm supposed to talk about the plot. I'll stop fantasizing about all those things now.
Tenor Anton Krol comes to the Detroit Opera House and runs into the dual brick walls of a temperamental star and being an unknown from the country. Since he wants to eat, he takes a job with the stage crew. His "helpful" co-workers let him know the opera house is haunted. Anton's a hard worker and is soon one of the guys. Hey, it's a job.
With a very interesting perk Private singing lessons from a mysterious tutor. His tutor ups his skills just in time for Anton to step in when the star tenor walks off in a huff.
Then Anton's childhood friend Bess arrives in Detroit. Bess is an adventurer, an explorer, and their friendship becomes much more. Anton's tutor is Not Pleased.
But as a reader, I was certainly pleased. Jealousy! Gunfire! Secret passages! Ghosts! Murder! Mad chases through dark streets! And a dirigible!
The Music Box Girl kept me entertained from the mysterious opening to the gripping climax. I spent a long, rainy Saturday immersed in Stewart's intricate steampunk world. Her characterizations are complex, her action scenes burst off the page, and her plotting is tight. I wanted to stay in MBG's steampunk Detroit and especially in the opera house. Not many authors create worlds that make me wish I could step into the pages and make a new life there.
Stewart has written another winner.
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